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Storyline The Clone Returns Home
Kohei Takahara, an astronaut who dies in the line of duty, is legally resurrected as a clone: however, contrary to the scientists’ expectations, he reverts to his childhood memories when his twin brother drowned sacrificing his life for Kohei. Kohei’s clone discovers the body of his former self mistakenly believing that it is his deceased twin. Reliving his tragic past, he sets off carrying his corpse body to the beautiful hometown where he lived with his now dead mother.Movie details
Title : The Clone Returns HomeRelease : 2008-10-19
Genre : Drama, Science Fiction
Runtime : 110
Company :
Rating :
5.8 out of 10 From 12 Users
Homepage : Homepage Movie
Trailer : Video Trailer
Casts of The Clone Returns Home
Hiromi Nagasaku, Mitsuhiro Oikawa, Kyusaku Shimada, Eri Shida, Tôru Shinagawa, Kenichi Yajima, Kôzô Satô, Chieko Ichikawa, Akira Ogata, Taijiro Tamura, Ryo Tsukamoto, Sho Tsukamoto, Takahiro Hirano, Airi Tsurumi, Akemi Fuji, Yoshito Shimizu, Akiko Hayashi, Takashi Kikuchi, Kei Mizuki, Masato Shibasaki, Mao Yuki,
Learn More About The Clone Returns Home
The Clone Returns Home is the type of foreign film you must get into vibe of to be able to appreciate. This is a quiet, existential film, a meditation on soul, self, and family. It is very pensive and a bit mysterious; it feels like reading a book and watching a nature show at the same time. The Clone Returns Home is definitely the type of film ...
"The Clone Returns Home" (2008 release from Japan; 110 min.) brings the story of a Japanese astronaut who, as the movie opens, we see in discussions with people at the Japanese Space Agency about possibly providing the necessary medical data so as to provide a back-up clone of himself.
The Clone Returns Home is the type of foreign film you must get into vibe of to be able to appreciate. This is a quiet, existential film, a meditation on soul, self, and family.
Kohei Takahara, an astronaut who dies in the line of duty, is legally resurrected as a clone: however, contrary to the scientists’ expectations, he reverts to his childhood memories when his twin brother drowned sacrificing his life for Kohei. Kohei’s clone discovers the body of his former self mistakenly believing that it is his deceased twin.
Eerie twins and wayward clones provide double trouble, to enigmatic, haunting effect, in "The Clone Returns Home," a Japanese oddity that should please arthouse auds and sci-fi cultists alike.
Nakajima is all about finding the poetry in the sci-fi, and The Clone Returns Home is closer to Solaris—closer to its replicated identities and unattainable verisimilitude—than Solaris is to that old Star Trek episode “Shore Leave” (which critic David Thomson claims to prefer), or to Duncan Jones’s new Moon (2009), another riff on the ...
"The Clone Returns Home" (2008 release from Japan; 110 min.) brings the story of a Japanese astronaut who, as the movie opens, we see in discussions with people at the Japanese Space Agency about possibly providing the necessary medical data so as to provide a back-up clone of himself.
The Clone Returns Home is the type of foreign film you must get into vibe of to be able to appreciate. This is a quiet, existential film, a meditation on soul, self, and family.
Kohei Takahara, an astronaut who dies in the line of duty, is legally resurrected as a clone: however, contrary to the scientists’ expectations, he reverts to his childhood memories when his twin brother drowned sacrificing his life for Kohei. Kohei’s clone discovers the body of his former self mistakenly believing that it is his deceased twin.
Eerie twins and wayward clones provide double trouble, to enigmatic, haunting effect, in "The Clone Returns Home," a Japanese oddity that should please arthouse auds and sci-fi cultists alike.
Nakajima is all about finding the poetry in the sci-fi, and The Clone Returns Home is closer to Solaris—closer to its replicated identities and unattainable verisimilitude—than Solaris is to that old Star Trek episode “Shore Leave” (which critic David Thomson claims to prefer), or to Duncan Jones’s new Moon (2009), another riff on the ...
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